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Tom is a singer/songwriter who began writing songs
in high school—over forty years ago. He moved to New York City where
he quickly placed songs with Peer Southern and Famous Music Publishing.
In the early seventies, Tom began a career in advertising,
writing and producing countless TV and Radio commercials. He penned
and produced jingles performed by Michael Bolton, Marc Cohn, Ry Cooder, Fats
Domino, Dave Edmunds, Allen Toussaint, Jimmy Buffett, .38 Special, Kenny
Rogers, George Benson and others. He won numerous awards, including Clios
for Best Musical Campaign for Miller Genuine Draft’s It’s As Real As It Gets and Xerox's
Revolution campaign with The Art of Noise. He also garnered a Cannes Silver
Lion for Hyundai's debut campaign, Cars That Make Sense.
During that time
his work also appeared in several movies, including Beer, Night
of the Creeps, Excessive Force, Caught in the Crossfire, Girlfriends, The
Key, and the Martha Coolidge film Not a Pretty Picture. The Key, which he
scored with Jonathan Helfand, won the 1996 National Education Fiction Video
Award.
Tired of making music that was less than thirty seconds
long, Tom left advertising (and the city) in the nineties and returned to
his first love, songwriting. “You Got Something on the Side,” “100 Real
Good Reasons to Sing the Blues” and “That’s My Version
of a Good Idea,” which he co-wrote with Martha Trachtenberg and
International Blues Challenge Award winner Toby
Walker, appear on Toby’s
internationally acclaimed CDs, Toby Walker Plays Well with Others and
Just Rolled In, both of which Tom produced. His production credits also
include It's About Time by Martha
Trachtenberg, which was featured in
The New York Times and Newsday, and is played on acoustic-music oriented
radio stations throughout the country.
His first album, Hodge
Podge,
was released locally in 1997 and was chosen as an Album of the
Year by the Long Island Press. In 2004, Tom released The
Web of Life, a collection
of educational songs for upper elementary students. The album
came about, he says, “Because I couldn’t find any academically-oriented
music that I thought would interest my 11-year-old son. There
are plenty of ‘Wheels on the Bus’ type songs out there, which
are great for little kids, but not much for his age group.” The CD
has since become a favorite learning tool in classrooms across
the country.
40 Years
Later is Tom’s first national commercial release. He says, “I
wanted to write about issues that were important to us baby boomers back
in the sixties, but looked at from today’s perspective. In a funny
way, it took me forty years to be able to write 40 Years Later. I feel
like it was worth the wait.”
Tom is currently producing several indie artists and regularly performs with cutting-edge AAA project Return to the Dream. |